TAUKO Magazine Issue No. 3


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HIer findet ihr das neue Magazin TAUKO aus Skandinavien. Wir freuen uns unglaublich dieses wunderschöne Heft im Sortiment zu haben.

In der Nr.3-Ausgabe des TAUKO-Magazins findet ihr Berichte, die Näher:innen und Designer:innen als Künstler:innen hervorheben, Revolutionäre und Designer. Es handelt sich um eine Vorbestellung. Das Heft wird gemeinsam mit den anderen Händlern am 11.4.2022 versendet.

The third issue of the TAUKO magazine features 12 fabulous sewing patterns. The timeless
designs created by international designers are treasured as the future heirlooms, pieces to
cherise for generations to come. Making use of soft linen, silk, jersey and denim the
boilersuits, tops and dresses come with many variations for differently skilled sewists. All
patterns come in 9 sizes from bust width 31” / 78cm to 57.5” / 146cm. The articles, essays
and columns talk about the value of vintage pieces bringing new perspectives and ideas to
inspire the readers.
TAUKO Magazine is a pioneering independent print publication for home sewists around the
world. The vast horizon of crafts, culture and climate is featured in sewing patterns,
interviews, columns, articles, tips and recommendations by international contributors.
TAUKO is a 128-page collectable that measures in at 275mm high x 215mm wide. There are
four folded paper pattern sheets included with the magazine. It is printed in Estonia with a
glue and stitch binding to secure durability and easy reading.
Brittany Bumb, Oroma Cookey-Gam, Ivona Fodora, Rebekah Foley-Read, Sophie Hines,
Jess Lucas, Gaëlle Martin, Mila Moisio, Lisa Oberländer, Johanna Morris, Kaisa Rissanen
Articles, essays and columns:
Mapping Vintage – Mila Moisio in conversation with Liisa Jokinen
Craft Letters: From the San Francisco Bay with Love by Sadie Egan
Over-All-Over maker story by Lisa Oberländer
Book Reviews
Essay about Clothing and Identity by Carolyn Denham
Column “Lessons in Value from Leona’s Quilt” by Katrina Rodabaugh
Article “Who Wants Dead White Man’s Clothes?” by Aja Barber


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